So, I work in a middle school. But
that’s not how I self-identify. I have been many things. I have
squatted on the banks of a black river and gutted piranhas with small Indian
men while caimans crept closer and closer, drawn by the bloody stink. I
have kept the caimans back with stiff slaps on their snouts with the flat of
my rusty machete. I have cracked a whip over the heads of roaring
lions beneath the cover of the big top. I have stood hip deep in the
sea drinking in sunsets with dear friends with funny accents on four
continents. I have worked everywhere from down in the mines to the
mountain's top. I do not say this to brag. I tell you these
things so you may better understand the lips that are speaking to you.
I work in a middle school, and like every school in
Oregon, at my school there are serious budget woes. Children share
books, they don’t have any art or foreign language classes, and there is
talk of moving to a four-day week (an idea which I wholeheartedly support,
not just for school but for all industry; I mean seriously, let’s be
civilized). I find the work to be generally quite boring, and hence,
spend my days fantasizing about adventure. I dream of flying into the
hurricane, of plying the darkened seas, of thunder atop an erupting volcano,
of the weight of a blade in my palm… I see all the Cuban girls that I
never got to kiss.
But me, a warrior no more, I sit, and I tell the
mischievous youth to rein in their rambunctiousness. One day though,
as I sat mired in monotony, things changed. One day, the adventure
came to me. It came in the form of alligator.
It started simply. I was in the cafeteria,
scowling sweetly and eating Tater Tots. It was a day like any other.
It was a day like every other. All around me twelve year
olds were screaming and being inordinately mean to each other. Amazing
beasts these, so simultaneously sensitive and insensitive. I was there
with a couple of older women. I am in my late twenties and a man, yet
I do work commonly reserved for fifty-year-old women. I will thank you
not to use this fact as a way of judging my machismo.
So, it was like every other weekday, me, eating Tater
Tots with matrons and telling Mowgli’s to leave the jungle behind. The
ladies speak of their pets or of their geeky grown children, while I have
little to say, and repose myself in fantasy.
Just then, a scream goes up behind me. I am
jolted back from fantasyland as kids start jumping up and screaming and
stampeding. One of the old ladies sees the cause for the chaos and
lets loose a pealing shriek that knocks the droplets of condensation off the
windows. Her shriek is of such power that it quells all the other
half-screams and yelps that were whimpering forth from the enormous crowd of
scared kids.
In that moment of stillness and eerie silence I see
it. I see him. The cause for all the screaming. On the
floor, near the door, in a cafeteria in rural Oregon: an alligator.
Seriously. A fucking alligator. I have no idea how it got in here.
Being a man of action, I took off my jacket and
rolled up my sleeves, knowing what had to be done.
I had to wrestle it.
By this point, most of the children had fled, trying
to trample each other bloodthirstily all the while. When the old
ladies realized what I planned to do, they tried to stop me, they tried to
hold me back. I gently shrugged off their restrictions, and moved
slowly forward, licking my chops.
At that moment I had never before actually wrestled
an alligator. As I worked that gorgeous little dinosaur back into the
corner, children started to trickle back in, to watch the show. The
principal came in and he told me to stop; he shouted and waved his arms,
yelling something about insurance . . .
I could barely hear anything by then, my blood
throbbed so.
The alligator was only a little over three feet long and
had a big toothy smile on his face. I reached down and grabbed him,
right under his neck and then I snatched his mouth closed with my other
hand. It was a classic pickup, I felt like Steve Irwin as I lifted the
gator off the ground. The kids started cheering and then one of them
said, “Kill it!”
The other little dirtbags all liked this idea and
before you know it I had three hundred twelve year olds chanting, “Kill it!
Kill it!”
It was a singularly horrifying scene.
The principal stepped forward and said, “You don’t
have to kill it. The cops are on their way. They’ll shoot it
when they get here.”
This, I did not like. The children continued to
chant and wail, building to something. I looked the alligator in the
eyes. They were beautiful – green and yellow and black, like nothing I
had ever seen before – and now he looked scared. The eyes were shaded
by dual eyelids, one of the sets of lids came in from the side and was near
to transparent. He winked and blinked at me charmingly with his
quadra-lids as I held his smile closed with what I thought to be a gentle
authority. “It’s for your own good,” I wanted to tell him, but alas, I
do not speak alligator. I just stood there for a second feeling his
crazy skin and marveling at this amazing creature that I held in my hands.
“Kill it! Kill it!”
I looked at the group of savages before me with
unmasked disgust. One of the kids threw a cupcake at the gator,
causing it to lash about violently for a moment, swishing its powerful tail
like a metronome on methamphetamines. While the tail slashed about,
some of the rough scales got tangled in my shirt, tearing it open and then
off, leaving my chest bleeding quite dramatically.
At this point I turned my back on the throng and
kicked open the door. Miniscule beach-sand balls of hail whipped through the
air. Beyond the door lay a great sward of green between school and
slough. I don’t remember when I made the decision, but by this point I
had decided that this gator had come from the slough, and that I was going
to put it back there. By now I had quite an entourage behind me,
following at a distance, shouting their protests and prohibitions. I
was shirtless and bleeding from the chest, head down against the hail,
hugging the alligator tightly, who by now had sensed our collusion and
ceased to struggle.
The principal’s shouts had gone from, “If you plan on
keeping this job . . .” to “If you value your freedom . . .”
I kept going.
My shoes and socks were muddied and soggy. I
kicked free of them. The hail increased to the size of marbles from
boyhood. A flock of geese flew back and forth overhead, lowly honking
in point, counter-point. About a quarter of a mile from the school
there is a bridge going over a particularly deep section of the dirty little
slough. I headed for the bridge. By this point the children had
begun pelting me with dirt clods, Now & Laters, and dog-eared copies of
Twilight. As I set foot on the bridge a great thunderclap pealed.
This rumble froze the twelve year olds cold in their tracks. I stepped
to the center of the bridge, all the children arrayed before me. Two
hundred of them, staring at me all googly-eyed.
For a moment I scowled down at them, bloody,
shirtless, clutching an alligator to my chest, while the hail beat down and
bounced off my shoulders. My gaze strangled the last murmurs from the
crowd's throat (ever tried to keep a group of twelve year olds quiet?).
“I would sooner kill every last one of you than I
would this magnificent creature. Your numbers don’t give you power!
This is power!”
I raised the alligator above my head, brandishing it
as if it was a trophy I had won. The alligator took this opportunity
to hiss at the crowd who had so wholeheartedly called for his blood.
“The only reason this alligator is here is because
you have left him no other place to go. He is here because of you!
Because of you encroaching on his habitat! (Alligators native to Oregon?)
You’re a plague! A plague!”
Upon saying this I spit a mouthful and scowled a
thunderstorm at all the kids, and then, having no more need to speak, having
said all that I had to say, I leapt. Which is to say I dropped
backwards off the bridge. As I did the geese flew low and honked
eerily in high-pitch, “Ooowwwwwwwww…” It was a freefall in slow
motion, or so it seemed.
When I hit the water I released the alligator and was
surprised to see that when I surfaced he was still with me, his little claws
around my neck, hugging me like a baby. As the slough’s current swept
me away, I managed to raise a fist above the water and shake it at the kids
on shore.
“A plague!” I shouted as I rounded the bend. “A
plague!” The hail grew to the size of ping-pong balls.
Post Script:
About an hour later I had pulled myself from the slough and hiked back to
the school, soaked, muddy, bloody, and half naked. I was hoping to
simply reach my car and get away, but when I arrived back at the school
things were unsettlingly silent. I saw Tyrell, one of my favorite
students, and asked him what had happened, what was going on.
“It was crazy, scary, kind of exciting. After
you floated away, we were all silent for a while, and then Derrick (most
popular kid, rich jock) started nodding his head, real slowly, up and down.
His eyes looked down at the slough, where you had just disappeared and he
said, ‘He’s right. He’s right.’ Nodding his head. Then, he
pulled out his protractor and stabbed himself three times in the neck,
gashing it around; blood poured everywhere, and then once he had done it,
there was no stopping the rest. Kids pulled out rulers and slit their
wrists, others were wiggling ballpoint pens into milky eye-sockets. It
was intense!”
“It was insane!” chimed in one of the old lady
teachers, in the throes of something like religious rapture. “On all
sides, children killing themselves with unspeakable savagery, biting open
the fleshy, veiny part opposite the elbow, thumbs in eyeballs,
self-strangulation, kids were hanging from belts and jump-ropes. There
were veins and bloody protractors everywhere, and when it was over, one
hundred and seventy-four lay dead. A mass middle school suicide…”
“No!”
“Oh, yes,” said Tyrell, “but it was only the
popular kids, or the ones that wanted to be.”
“Jesus. You kids are so impressionable.”
“That alligator was cool, huh?”
Right then the principal came around the corner.
“Daniel!” he shouts, and I cringe, thinking he is
surely here to reprimand me, or place me under citizen’s arrest.
“Daniel! I‘ve been looking all over for you!”
“Here I am.”
“Yeah. You know that class you wanted to teach
about abstract installation art pieces and painting and scratching on
seventy millimeter film?”
“How could I forget.”
“Well, now you can teach it!”
“What? Really? I thought there wasn’t
money for such ‘frivolities’.”
“Well… due to unexpected tragedy… All of our
budget problems are solved! Kids will now be able to have art classes,
gym classes, and foreign language classes!”
The principal smiled excitedly and clapped his hands
together, not unlike a twelve-year-old boy. The old-lady teacher’s
glow intensified.
I just gasped, having trouble sucking air. I
collected myself and tried to formulate a worthy response to this situation.
“Good?”
© 2009 Daniel Eli Dronsfield
This story may not be archived, reproduced or distributed further without the author's express permission. Please see our conditions of use.
The Barcelona Review is a registered non-profit organization
Daniel
Eli Dronsfield is an explorer, educator, author, photographer, visual
artist, poet, and filmmaker. He has written two novels (unpublished as of
now) and a collection of short stories entitled The Lugubrious
Dilletante. A story from this collection was later turned into the
short film “deep deep blues” which premiered at the 2006 Eugene
International Film Festival and was selected as one of the “best of the
fest.” Another of his films “The Ice Block Cometh! The Life of a
Cambodian Ice Block” received wide acclaim the previous year after
premiering in the 2005 Hawaii International Film Festival.
Contact
the author
For more visit
www.danielelidronsfield.com or
www.youtube.com/salshakes